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It does take a bit off the selling point of the movie, but as the proceeding 90% of the film was exceptional, I'll still recommend it to patient viewers who can stomach a fair bit of violence.Īssassination Nation is an explicitly potent and timely Movie of the Moment it's a modern "Monsters Are Due on Maple Street" for the Age of Trump, exposing the fissures in our society, primarily the elements that prey upon, police, and punish women. Many may be turned off by the abrupt and somewhat flat ending, feeling that it's a bit anti-climactic. It is a tad bit over-the-top but that's a result of the heightened reality nature of the genre. It's hard not to see that Assassination Nation is a film about Trump's America, the internet-based Alt-Right, and what that means for feminism and women in general. Transgender actress Hari Nef has the most lively role in the picture and has to ride the line between a sympathetic victim and an amusing shit-talker. The protagonist is played by Odessa Young and she conveys a complex teenager convincingly. While I would have preferred a bit more characterization, for the most part they are more than adequate and quite interesting. There have been complaints that many of the characters are thinly sketched. The color palette is fairly vivid and reminiscent of Nicolas Winding Refn (think Drive and The Neon Demon). But as where Breakers centered around shallow hedonists who engaged in violence, Nation centers around typical women engaging in violence, because they are labeled hedonists. It's hard not to compare Assassination Nation to Spring Breakers, another female-oriented arthouse exploitation film. Alt-right style militias form and take over the town, while the girls arm themselves and engage in revenge killings, and then open warfare erupts on the streets. When a hacker leaks the personal lives of a group of teenage girls living in Salem, Massachusetts onto the internet, the town goes on a slut-shaming witch hunt (SEE that they did there?), ostracizing them from society. Such is the case with Assassination Nation, an exploitation film with overt leftist and feminist leanings. And the truth is most examples of the genre alienate both the audiences who pay for sleezy midnight movies and the critics and cinephiles who stick to meatier pictures. Side note: How does Pretty Little Liar's little Mike Montgomery now look like Zac Efron?!?!Īrthouse exploitation films have to ride a fine line in order to achieve success.
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Yeah, this super-stylized take on the coming-of-age tale through the lens of our presently overexposed culture would have probably worked better as a limited series or something given the movie already feels like the core characters essentially walk through a handful of different vignettes which in turn means the movie begins to feel like it's dragging in that latter half, but it goes out with such a bang it's hard to argue one didn't have a blast. It's a film that will either grow better or worse with age, but my guess is this might be a pretty trippy to experience in ten to fifteen years. Once we get past the rather scrutinizing character introductions though, the movie levels up and becomes what it is without that aspect of attempting to be something it's not.Īssassination Nation is an extreme satire, but it's a rather effective one.
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It was trying to be something it didn't naturally know how to pull off in the worst way. Within the first fifteen minutes or so I thought I was really going to hate this movie.